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News
Jun 18, 2018
Jun 18, 2018
The Guardian
Margaret Harrison
Rebel Women: The Great Art Fightback review – feminist art versus the patriarchy
Jun 14, 2018
Jun 14, 2018
Jun 12, 2018
Jun 07, 2018
May 30, 2018
Cassils and Gil Yefman: "What if Utopia"
May 30, 2018
May 22, 2018
Press
Apr 27, 2018
The New York Times
Ronald Feldman Gallery
10 Galleries to Visit Now Around SoHo and TriBeCa
Featured Artist
Federico Solmi
Federico Solmi (Italy, 1973) currently lives and works in New York. His exhibitions, which often combine articulate installations composed of different media such as video, drawings, and paintings, use bright colors and a satirical aesthetic to portray a dystopian vision of our present-day society. Solmi exploits emerging technologies to reveal the hypocrisies in contemporary society, making art with political and social commentary as a means to disrupt the power structure of our technological age. Scanning his paintings into a game engine, Solmi confronts the audience with his own absurd rewriting of past and present-day events. Solmi stages a virtual world where our leaders become puppets, animated by computer scripts rather than strings.
In the year 2009, Federico Solmi was awarded by the Guggenheim Foundation of New York with the John Simon Guggenheim Memorial Fellowship in the category of Video & Audio. Federico Solmi is currently visiting Professor at Yale University School of Drama, New Haven, CT. His work has been included in several international Biennials, including Open Spaces 2018: A Kansas City Arts Experience(2018), the Beijing Media Art Biennale (2016), Frankfurt B3 Biennial of the Moving Image (2017-2015), the First Shenzhen Animation Biennial in China (2013), the 54th Venice Biennial (2011), and the SITE Santa Fe Biennial in New Mexico (2010). Solmi has been featured in solo museum exhibitions including Rochester Contemporary Art Center, Rochester, NY (2018), Museo de Arte Contemporaneo del Zulia, Maracaibo, Venezuela (2017), the Haifa Museum of Art, Israel (2016), the Centro Cultural Matucana 100, Santiago, Chile (2015), and the Italian Cultural Institute of Madrid, Spain (2013).
