Andy Warhol Andy Warhol’s camouflaged Catholicism

America Magazine Nov 23, 2018

“Andy Warhol: From A to B and Back Again,” now on view at the Whitney Museum of American Art, begins and ends with nearly identical, gargantuan canvases covered in a green camouflage pattern.

Exiting the elevator and entering the exhibition space, you are immediately confronted by “Camouflage” (1986). At nine feet tall and 35 feet wide, the scale of this painting is monumental. The camouflage pattern is all-encompassing. There is nothing to hold your attention, just a seemingly endless void of green-and-brown. It is a pattern we ordinarily wouldn’t think twice about: ugly, flat, uninteresting, overused and utilitarian, associated with the military and G.I. Joe dolls, not high art. But here, at the entrance of a landmark retrospective for one of the biggest names in the history of American art, it serves as an opening curtain, inviting us to wonder: Behind the camouflage of celebrity, who was the real Andy Warhol?

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