Artists

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Arakawa

Conrad Atkinson

Eleanor Antin

Alexander Brodsky

Brodsky & Utkin

Joseph Beuys

Cassils

Keith Cottingham

Nancy Chunn

Eric Dyer

Milena Dopitová

Carl Fudge

Terry Fox

Yishay Garbasz

Cameron Hayes

Christine Hill

Helen Mayer & Newton Harrison

Kelly Heaton

Margaret Harrison

Shih Chieh Huang

Simone Jones

Brian Knep

Komar & Melamid

Peggy Jarrell Kaplan

Vitaly Komar

Kim Levin

McCarren/Fine

Pepón Osorio

The Oakes Twins

Bruce Pearson

Panamarenko

Fredric Riskin

Richard Ross

Diemut Strebe

Edwin Schlossberg

Federico Solmi

Jason Salavon

Todd Siler

Mierle Laderman Ukeles

Sam Van Aken

Allan Wexler

Andy Warhol

Clemens Weiss

Hannah Wilke

Gil Yefman

Gil Yefman Art that Slows Down How We Assess Gender

Hyperallergic Apr 03, 2016

At the center of Smack Mellon’s Dumbo gallery, Gil Yefman’s knitted wrecking ball of genitalia and bodily fluids hangs from the ceiling. The eerily supple and so pliant-to-the-touch installation is titled “Tutum,” which, when translated into Jewish law and modern Hebrew, means “unclean” or “stupid.” More literally, the word refers to a person whose sex is unknown or hidden. Adorned with woolen eyes looking outwards, the work reflects the onus of androgyny — the humiliation of “searching” for someone’s gender — back onto society. The cultural code has been effectively switched.

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Ronald Feldman Gallery has been at the frontier of contemporary art since 1971. The gallery is located in the SoHo neighborhood of New York City and exhibits performance, photography, new media, film, painting, drawing and sculpture.