Artists

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Arakawa

Conrad Atkinson

Eleanor Antin

Ida Applebroog

Alexander Brodsky

Brodsky & Utkin

Joseph Beuys

Cassils

Keith Cottingham

Nancy Chunn

Eric Dyer

Milena Dopitová

Carl Fudge

Terry Fox

Yishay Garbasz

Cameron Hayes

Christine Hill

Helen Mayer & Newton Harrison

Kelly Heaton

Margaret Harrison

Shih Chieh Huang

Simone Jones

Brian Knep

Komar & Melamid

Peggy Jarrell Kaplan

Vitaly Komar

Kim Levin

McCarren/Fine

Pepón Osorio

The Oakes Twins

Bruce Pearson

Panamarenko

Fredric Riskin

Richard Ross

Diemut Strebe

Edwin Schlossberg

Federico Solmi

Jason Salavon

Todd Siler

Mierle Laderman Ukeles

Sam Van Aken

Allan Wexler

Andy Warhol

Clemens Weiss

Hannah Wilke

Gil Yefman

Leon Golub Susan Harris on Leon Golub

The Brooklyn Rail Apr 03, 2018

It is a thrill to see Leon Golub’s in-your-face paintings on the brutalist walls of the Met Breuer. During his lifetime, American painter Leon Golub received little institutional recognition—particularly from museums in the US. Other than a 2001 travelling exhibition at The Brooklyn Museum and the Albright Knox Museum (which were smaller versions of a show that originated at the Irish Museum of Modern Art in Dublin), Golub has had no major American museum retrospectives. Since his death in 2004, the only significant presentations of his work have been at the Serpentine Gallery in London (2015) and, recently, at the Fondazione Prada in Milan (2017 – 18). Leon Golub: Raw Nerve, then, is a long overdue opportunity for American museum goers to witness firsthand this critically important, under-celebrated voice of 20th century American painting.