---
title: "346 -- Group Exhibition -- Prescient: A 5x5 exhibition 5-08-2020 Live Exhibition."
date: 2020-05-06T10:03:00-04:00
author: Cat Zhou
canonical_url: "https://feldmangallery.com/exhibition/prescient"
section: Exhibition
---
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 [ Arakawa

 ](https://feldmangallery.com/artist-home/arakawa-) [ Conrad Atkinson

 ](https://feldmangallery.com/artist-home/conrad-atkinson) [ Eleanor Antin

 ](https://feldmangallery.com/artist-home/eleanor-antin) [ Ida Applebroog

 ](https://feldmangallery.com/artist-home/ida-applebroog-) [ Jim Anderson

 ](https://feldmangallery.com/artist-home/jim-anderson-) 

 

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 [ Alexander Brodsky

 ](https://feldmangallery.com/artist-home/alexander-brodsky) [ Brandon Ballengée

 ](https://feldmangallery.com/artist-home/brandon-balleng%C3%A9e) [ Brodsky &amp; Utkin

 ](https://feldmangallery.com/artist-home/brodsky-utkin) [ Chris Burden

 ](https://feldmangallery.com/artist-home/chris-burden-) [ Joseph Beuys

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  C  

 [ Cassils

 ](https://feldmangallery.com/artist-home/cassils) [ Keith Cottingham

 ](https://feldmangallery.com/artist-home/keith-cottingham) [ Nancy Chunn

 ](https://feldmangallery.com/artist-home/nancy-chun) 

 

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 [ Eric Dyer

 ](https://feldmangallery.com/artist-home/eric-dyer) [ Milena Dopitová

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  F  

 [ Carl Fudge

 ](https://feldmangallery.com/artist-home/carl-fudge) [ Terry Fox

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 [ Leon Golub

 ](https://feldmangallery.com/artist-home/leon-golub-) [ Rico Gatson

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 [ Cameron Hayes

 ](https://feldmangallery.com/artist-home/cameron-hayes) [ Christine Hill

 ](https://feldmangallery.com/artist-home/christine-hill) [ Helen Mayer &amp; Newton Harrison

 ](https://feldmangallery.com/artist-home/helen-mayer-harrison-newton-harrison) [ Kelly Heaton

 ](https://feldmangallery.com/artist-home/kelly-heaton) [ Margaret Harrison

 ](https://feldmangallery.com/artist-home/margaret-harrison) [ Shih Chieh Huang

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 [ Simone Jones

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 [ Brian Knep

 ](https://feldmangallery.com/artist-home/brian-knep) [ Komar &amp; Melamid

 ](https://feldmangallery.com/artist-home/komar-melamid) [ Peggy Jarrell Kaplan

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 ](https://feldmangallery.com/artist-home/vitaly-komar) 

 

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 [ Kim Levin

 ](https://feldmangallery.com/artist-home/kim-levin-) 

 

  M  

 [ McCarren/Fine

 ](https://feldmangallery.com/artist-home/mccarren-fine) 

 

  O  

 [ Pepón Osorio

 ](https://feldmangallery.com/artist-home/pep%C3%B3n-osorio) [ The Oakes Twins

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 [ Bruce Pearson

 ](https://feldmangallery.com/artist-home/bruce-pearson) [ Panamarenko

 ](https://feldmangallery.com/artist-home/panamarenko) 

 

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 [ Fredric Riskin

 ](https://feldmangallery.com/artist-home/fredric-riskin-1) [ Richard Ross

 ](https://feldmangallery.com/artist-home/richard-ross) 

 

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 [ Diemut Strebe

 ](https://feldmangallery.com/artist-home/diemut-strebe) [ Edwin Schlossberg

 ](https://feldmangallery.com/artist-home/edwin-schlossberg) [ Federico Solmi

 ](https://feldmangallery.com/artist-home/federico-solmi-) [ Jason Salavon

 ](https://feldmangallery.com/artist-home/jason-salavon) [ Todd Siler

 ](https://feldmangallery.com/artist-home/todd-siler) 

 

  U  

 [ Mierle Laderman Ukeles

 ](https://feldmangallery.com/artist-home/mierle-laderman-ukeles) 

 

  V  

 [ Sam Van Aken

 ](https://feldmangallery.com/artist-home/sam-van-aken) 

 

  W  

 [ Allan Wexler

 ](https://feldmangallery.com/artist-home/allan-wexler) [ Andy Warhol

 ](https://feldmangallery.com/artist-home/andy-warhol) [ Clemens Weiss

 ](https://feldmangallery.com/artist-home/clemens-weiss) [ Hannah Wilke

 ](https://feldmangallery.com/artist-home/hannah-wilke) 

 

  Y  

 [ Gil Yefman

 ](https://feldmangallery.com/artist-home/gil-yefman) 

 

 

 

 

 [ ![Ronald Feldman Gallery logo](/src/images/rff_logo.svg) ](/) 

  Prescient: A Five-by-Five Virtual Exhibition

 Group Show

 May 8 – Jun 19, 2020

 

 ![Banner Image Still](/assets/hero_images/_1600x800_crop_top-center_75_none/Banner-Image-Still.jpg) 

 

“Prescient: A Five-by-Five (5x5) Virtual Exhibition,” features Eleanor Antin, Nancy Chunn, Yishay Garbasz, Mierle Laderman Ukeles, and Allan Wexler. The selected works, which were created prior to the COVID-19 crisis, speak to vital issues we face today, such as fear, isolation, anxiety, border containment, and reliance on essential workers. Although the works were created years ago, their commentary may be more significant now than when they were originally made. We don’t know what lies ahead, but we firmly believe that artists will continue to constructively point the way forward.

This exhibition is the first in a new online series entitled “Five-by-Five (5x5) Virtual Exhibitions” from the Ronald Feldman Gallery. Using the format of five works by five artists, each exhibition will feature twenty-five works selected through the lens of current pressing social, economic, and environmental concerns. We appreciate your comments via the social media links below.

 

 [![](/src/images/down-arrow.svg) View Press Release](#pressRelease)

 [![](/src/images/redirect.svg) View Artists](#artistsmodal) [![](/src/images/down-arrow.svg) Exhibition Checklist ](https://feldmangallery.com/assets/pdfs/Prescient_Checklist_200508_120207.pdf) 

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Eleanor Antin

The Conversation, 2001

From The Last Days of Pompeii

chromogenic print

46 5/8 x 58 5/8 x 1 3/4 inches

 

 

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Nancy Chunn

Bat, 1982

from the Predator Series

oil on canvas

120 x 54 inches

 

 

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Nancy Chunn

Chicken Little and the Culture of Fear: Selected Index (Black), 2016

giclee print on canvas with acrylic paint unique

30 x 30 inches

 

 

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Nancy Chunn

Spring Cleaning (Spring 1999), 2000

from News Stories

acrylic on canvas

78 x 102 inches

 

 

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Nancy Chunn

Chicken Little and the Culture of Fear: Scene VII: The ER, 2007-2008

acrylic on 63 canvases

139 x 148 inches overall

 

 

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Nancy Chunn

Chicken Little and the Culture of Fear: Scene VII: The ER, 2007-2008

detail

acrylic on 63 canvases

139 x 148 inches overall

 

 

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Allan Wexler

Voicings (Voice Masks), 2017

five dust masks and epoxy resin

10 x 6 x 4 inches each

 

 

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Mierle Laderman Ukeles

Dressing to Go Out/Undressing to Come In, 1973 (printed in 2016)

95 black-and-white photographs mounted on foam core with dust rag attached by chain to frame

55 x 42 1/4 inches framed size

 

 

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Mierle Laderman Ukeles

Dressing to Go Out/Undressing to Come In, 1973 (printed in 2016)

detail

95 black-and-white photographs mounted on foam core with dust rag attached by chain to frame

55 x 42 1/4 inches framed size

 

 

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Nancy Chunn

Huff &amp; Puff (Fall 1999), 2001

from News Stories

acrylic on canvas

78 x 102 inches

 

 

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Mierle Laderman Ukeles

Washing, 1974 (printed in 1998)

In front of A.I.R. Gallery, Wooster Street, Soho, New York City

black-and-white photographs

15 black-and-white photographs: 16 x 20 inches each, 2 black-and-white photographs: 20 x 16 inches each

 

 

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Mierle Laderman Ukeles

Washing, 1974 (printed in 1998)

detail

black-and-white photographs

15 black-and-white photographs: 16 x 20 inches each, 2 black-and-white photographs: 20 x 16 inches each

 

 

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![](https://feldmangallery.com//src/images/arrow.svg)

 

Allan Wexler

Rift, 2015

unique

inkjet print mounted on panel, matte medium, pencil, wax

32 x 40 inches

 

 

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![](https://feldmangallery.com//src/images/arrow.svg)

 

Allan Wexler

Sheathing the Rift, 2014

unique

inkjet print mounted on panel, matte medium, pencil, wax

32 x 40 inches

 

 

 ![]() 

![](https://feldmangallery.com//src/images/arrow.svg)

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![](https://feldmangallery.com//src/images/arrow.svg)

 

Allan Wexler

Table for the Typical House, 2010

table, four chairs, mustard, ketchup, salt and pepper shakers

96 x 132 x 132 inches

 

 

 ![]() 

![](https://feldmangallery.com//src/images/arrow.svg)

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![](https://feldmangallery.com//src/images/arrow.svg)

 

Yishay Garbasz

Kirks Crescent, Protestant Neighborhood, Belfast, 2014

from Severed Connections

c-print

31 5/8 x 39 1/2 inches

 

 

 ![]() 

![](https://feldmangallery.com//src/images/arrow.svg)

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![](https://feldmangallery.com//src/images/arrow.svg)

 

Yishay Garbasz

Convenience Store on Route 6 after cleanup

from Ritual &amp; Reality

c-print

31 1/2 x 40 inches

 

 

 ![]() 

![](https://feldmangallery.com//src/images/arrow.svg)

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![](https://feldmangallery.com//src/images/arrow.svg)

 

Eleanor Antin

100 Boots Out of a Job, 1971-1973/ 2006

from a set of 51 digital black-and-white photographs

8 x 10 inches

 

 

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![](https://feldmangallery.com//src/images/arrow.svg)

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![](https://feldmangallery.com//src/images/arrow.svg)

 

Yishay Garbasz

Women Working for Minimum Wage Cutting Weeds at the side of the road near Junghwadong, 2014

from Severed Connections

c-print

31 5/8 x 39 1/2 inches

 

 

 ![]() 

![](https://feldmangallery.com//src/images/arrow.svg)

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![](https://feldmangallery.com//src/images/arrow.svg)

 

Mierle Laderman Ukeles

Touch Sanitation Performance, 1979-1980, August 8, 1979, Sweep 2, Bronx 21

from a set of 30 archival pigment prints

16 x 24 inches each

Photo: Marcia Bricker

 

 

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![](https://feldmangallery.com//src/images/arrow.svg)

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![](https://feldmangallery.com//src/images/arrow.svg)

 

Mierle Laderman Ukeles

Touch Sanitation Performance, 1979-1980, May 14, 1980, Sweep 10, Manhattan 11

from a set of 30 archival pigment prints

16 x 24 inches each

Photo: Deborah Freedman

 

 

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![](https://feldmangallery.com//src/images/arrow.svg)

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![](https://feldmangallery.com//src/images/arrow.svg)

 

Mierle Laderman Ukeles

Touch Sanitation Performance, 1979-1980, May 15, 1980, Sweep 10, Queens 14

from a set of 30 archival pigment prints

16 x 24 inches each

Photo: Vincent Russo

 

 

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![](https://feldmangallery.com//src/images/arrow.svg)

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![](https://feldmangallery.com//src/images/arrow.svg)

 

Yishay Garbasz

Sawahre near Jerusalem, 2004

from The Fence

c-print

31 1/2 x 39 3/8 inches

 

 

 ![]() 

![](https://feldmangallery.com//src/images/arrow.svg)

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![](https://feldmangallery.com//src/images/arrow.svg)

 

Allan Wexler

Eye Level on a Hill, 2015

unique

hand-worked inkjet print mounted on panel, matte medium, pencil, wax

32 x 40 inches

 

 

 ![]() 

![](https://feldmangallery.com//src/images/arrow.svg)

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![](https://feldmangallery.com//src/images/arrow.svg)

 

Eleanor Antin

The Gamblers, 2004

from Roman Allegories

chromogenic print

48 1/2 x 61 1/8 inches

 

 

 ![]() 

![](https://feldmangallery.com//src/images/arrow.svg)

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![](https://feldmangallery.com//src/images/arrow.svg)

 

Yishay Garbasz

Clean Up Work at a Cemetery within the 3 km zone, Fukushima Exclusion Zone, 2013

from Ritual &amp; Reality

c-print

31 1/2 x 40 inches

 

 

 ![]() 

![](https://feldmangallery.com//src/images/arrow.svg)

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![](https://feldmangallery.com//src/images/arrow.svg)

 

Eleanor Antin

The Tourists, 2007

from Helen’s Odyssey

chromogenic print

60 x 76 7/8 inches

 

 

 ![]() 

![](https://feldmangallery.com//src/images/arrow.svg)

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![](https://feldmangallery.com//src/images/arrow.svg)

 

Eleanor Antin

The Sad Song of Columbine, 2004

from Roman Allegories

chromogenic print

48 1/2 x 61 1/8 inches

 

 

 

 

 ![30 Start Image](/assets/exhibition_images/30-Start-Image.jpg) 

 

 ![1](/assets/exhibition_images/1_200506_180444.jpg) 

 

 ![Chunn bat](/assets/exhibition_images/chunn-bat.jpg) 

 

 ![10](/assets/exhibition_images/10.jpg) 

 

 ![6](/assets/exhibition_images/6.jpg) 

 

 ![8](/assets/exhibition_images/8.jpg) 

 

 ![9](/assets/exhibition_images/9.jpg) 

 

 ![23](/assets/exhibition_images/23.jpg) 

 

 ![16](/assets/exhibition_images/16.jpg) 

 

 ![17](/assets/exhibition_images/17.jpg) 

 

 ![7](/assets/exhibition_images/7.jpg) 

 

 ![18](/assets/exhibition_images/18.jpg) 

 

 ![27](/assets/exhibition_images/27.jpg) 

 

 ![26](/assets/exhibition_images/26.jpg) 

 

 ![24](/assets/exhibition_images/24.jpg) 

 

 ![25](/assets/exhibition_images/25.jpg) 

 

 ![15](/assets/exhibition_images/15.jpg) 

 

 ![11](/assets/exhibition_images/11.jpg) 

 

 ![Antin 1 100 BOOTS Out of a Job 1972](/assets/exhibition_images/Antin_1-100-BOOTS-Out-of-a-Job-1972_200506_141416.jpg) 

 

 ![14](/assets/exhibition_images/14.jpg) 

 

 ![19](/assets/exhibition_images/19.jpg) 

 

 ![20](/assets/exhibition_images/20.jpg) 

 

 ![21](/assets/exhibition_images/21.jpg) 

 

 ![13](/assets/exhibition_images/13.jpg) 

 

 ![22](/assets/exhibition_images/22.jpg) 

 

 ![2](/assets/exhibition_images/2.jpg) 

 

 ![12](/assets/exhibition_images/12.jpg) 

 

 ![4](/assets/exhibition_images/4.jpg) 

 

 ![3](/assets/exhibition_images/3.jpg) 

 

 

 ![](/src/images/arrow-right.svg) 

 ![](/src/images/arrow-right.svg) 

 

 ![](/src/images/close_btn.svg) ![30 Start Image]() 

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 ![](/src/images/arrow-right.svg) 

 

.

 

 

 ![1]() 

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 ![](/src/images/arrow-right.svg) 

 

Eleanor Antin

The Conversation, 2001

From The Last Days of Pompeii

 chromogenic print

 46 5/8 x 58 5/8 x 1 3/4 inches

 

 

 ![Chunn bat]() 

 ![](/src/images/arrow-right.svg) 

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 ![](/src/images/arrow-right.svg) 

 

Nancy Chunn

Bat, 1982

from the Predator Series

 oil on canvas

 120 x 54 inches

 

 

 ![10]() 

 ![](/src/images/arrow-right.svg) 

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 ![](/src/images/arrow-right.svg) 

 

Nancy Chunn

Chicken Little and the Culture of Fear: Selected Index (Black), 2016

 giclee print on canvas with acrylic paint unique

 30 x 30 inches

 

 

 ![6]() 

 ![](/src/images/arrow-right.svg) 

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 ![](/src/images/arrow-right.svg) 

 

Nancy Chunn

Spring Cleaning (Spring 1999), 2000

from News Stories

 acrylic on canvas

 78 x 102 inches

 

 

 ![8]() 

 ![](/src/images/arrow-right.svg) 

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 ![](/src/images/arrow-right.svg) 

 

Nancy Chunn

Chicken Little and the Culture of Fear: Scene VII: The ER, 2007-2008

 acrylic on 63 canvases

 139 x 148 inches overall

 

 

 ![9]() 

 ![](/src/images/arrow-right.svg) 

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 ![](/src/images/arrow-right.svg) 

 

Nancy Chunn

Chicken Little and the Culture of Fear: Scene VII: The ER, 2007-2008

detail

 acrylic on 63 canvases

 139 x 148 inches overall

 

 

 ![23]() 

 ![](/src/images/arrow-right.svg) 

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Allan Wexler

Voicings (Voice Masks), 2017

 five dust masks and epoxy resin

 10 x 6 x 4 inches each

 

 

 ![16]() 

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  <a href="">1</a>   <a href="">2</a>   <a href="">3</a>   <a href="">4</a>   <a href="">5</a>   <a href="">6</a>   <a href="">7</a>   <a href="">8</a>   <a href="">9</a>   <a href="">10</a>   <a href="">11</a>   <a href="">12</a>   <a href="">13</a>   <a href="">14</a>   <a href="">15</a>   <a href="">16</a>   <a href="">17</a>   <a href="">18</a>   <a href="">19</a>   <a href="">20</a>   <a href="">21</a>   <a href="">22</a>   <a href="">23</a>   <a href="">24</a>   <a href="">25</a>   <a href="">26</a>   <a href="">27</a>   <a href="">28</a>   <a href="">29</a>

 

 ![](/src/images/arrow-right.svg) 

 

Mierle Laderman Ukeles

Dressing to Go Out/Undressing to Come In, 1973 (printed in 2016)

 95 black-and-white photographs mounted on foam core with dust rag attached by chain to frame

 55 x 42 1/4 inches framed size

 

 

 ![17]() 

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 ![](/src/images/arrow-right.svg) 

 

Mierle Laderman Ukeles

Dressing to Go Out/Undressing to Come In, 1973 (printed in 2016)

detail

 95 black-and-white photographs mounted on foam core with dust rag attached by chain to frame

 55 x 42 1/4 inches framed size

 

 

 ![7]() 

 ![](/src/images/arrow-right.svg) 

  <a href="">1</a>   <a href="">2</a>   <a href="">3</a>   <a href="">4</a>   <a href="">5</a>   <a href="">6</a>   <a href="">7</a>   <a href="">8</a>   <a href="">9</a>   <a href="">10</a>   <a href="">11</a>   <a href="">12</a>   <a href="">13</a>   <a href="">14</a>   <a href="">15</a>   <a href="">16</a>   <a href="">17</a>   <a href="">18</a>   <a href="">19</a>   <a href="">20</a>   <a href="">21</a>   <a href="">22</a>   <a href="">23</a>   <a href="">24</a>   <a href="">25</a>   <a href="">26</a>   <a href="">27</a>   <a href="">28</a>   <a href="">29</a>

 

 ![](/src/images/arrow-right.svg) 

 

Nancy Chunn

Huff &amp; Puff (Fall 1999), 2001

from News Stories

 acrylic on canvas

 78 x 102 inches

 

 

 ![18]() 

 ![](/src/images/arrow-right.svg) 

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 ![](/src/images/arrow-right.svg) 

 

Mierle Laderman Ukeles

Washing, 1974 (printed in 1998)

In front of A.I.R. Gallery, Wooster Street, Soho, New York City

 black-and-white photographs

 15 black-and-white photographs: 16 x 20 inches each, 2 black-and-white photographs: 20 x 16 inches each

 

 

 ![27]() 

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 ![](/src/images/arrow-right.svg) 

 

Mierle Laderman Ukeles

Washing, 1974 (printed in 1998)

detail

 black-and-white photographs

 15 black-and-white photographs: 16 x 20 inches each, 2 black-and-white photographs: 20 x 16 inches each

 

 

 ![26]() 

 ![](/src/images/arrow-right.svg) 

  <a href="">1</a>   <a href="">2</a>   <a href="">3</a>   <a href="">4</a>   <a href="">5</a>   <a href="">6</a>   <a href="">7</a>   <a href="">8</a>   <a href="">9</a>   <a href="">10</a>   <a href="">11</a>   <a href="">12</a>   <a href="">13</a>   <a href="">14</a>   <a href="">15</a>   <a href="">16</a>   <a href="">17</a>   <a href="">18</a>   <a href="">19</a>   <a href="">20</a>   <a href="">21</a>   <a href="">22</a>   <a href="">23</a>   <a href="">24</a>   <a href="">25</a>   <a href="">26</a>   <a href="">27</a>   <a href="">28</a>   <a href="">29</a>

 

 ![](/src/images/arrow-right.svg) 

 

Allan Wexler

Rift, 2015

unique

 inkjet print mounted on panel, matte medium, pencil, wax

 32 x 40 inches

 

 

 ![24]() 

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 ![](/src/images/arrow-right.svg) 

 

Allan Wexler

Sheathing the Rift, 2014

unique

 inkjet print mounted on panel, matte medium, pencil, wax

 32 x 40 inches

 

 

 ![25]() 

 ![](/src/images/arrow-right.svg) 

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 ![](/src/images/arrow-right.svg) 

 

Allan Wexler

Table for the Typical House, 2010

 table, four chairs, mustard, ketchup, salt and pepper shakers

 96 x 132 x 132 inches

 

 

 ![15]() 

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 ![](/src/images/arrow-right.svg) 

 

Yishay Garbasz

Kirks Crescent, Protestant Neighborhood, Belfast, 2014

from Severed Connections

 c-print

 31 5/8 x 39 1/2 inches

 

 

 ![11]() 

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 ![](/src/images/arrow-right.svg) 

 

Yishay Garbasz

Convenience Store on Route 6 after cleanup

from Ritual &amp; Reality

 c-print

 31 1/2 x 40 inches

 

 

 ![Antin 1 100 BOOTS Out of a Job 1972]() 

 ![](/src/images/arrow-right.svg) 

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 ![](/src/images/arrow-right.svg) 

 

Eleanor Antin

100 Boots Out of a Job, 1971-1973/ 2006

 from a set of 51 digital black-and-white photographs

 8 x 10 inches

 

 

 ![14]() 

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 ![](/src/images/arrow-right.svg) 

 

Yishay Garbasz

Women Working for Minimum Wage Cutting Weeds at the side of the road near Junghwadong, 2014

from Severed Connections

 c-print

 31 5/8 x 39 1/2 inches

 

 

 ![19]() 

 ![](/src/images/arrow-right.svg) 

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 ![](/src/images/arrow-right.svg) 

 

Mierle Laderman Ukeles

Touch Sanitation Performance, 1979-1980, August 8, 1979, Sweep 2, Bronx 21

 from a set of 30 archival pigment prints

 16 x 24 inches each

 Photo: Marcia Bricker

 

 

 ![20]() 

 ![](/src/images/arrow-right.svg) 

  <a href="">1</a>   <a href="">2</a>   <a href="">3</a>   <a href="">4</a>   <a href="">5</a>   <a href="">6</a>   <a href="">7</a>   <a href="">8</a>   <a href="">9</a>   <a href="">10</a>   <a href="">11</a>   <a href="">12</a>   <a href="">13</a>   <a href="">14</a>   <a href="">15</a>   <a href="">16</a>   <a href="">17</a>   <a href="">18</a>   <a href="">19</a>   <a href="">20</a>   <a href="">21</a>   <a href="">22</a>   <a href="">23</a>   <a href="">24</a>   <a href="">25</a>   <a href="">26</a>   <a href="">27</a>   <a href="">28</a>   <a href="">29</a>

 

 ![](/src/images/arrow-right.svg) 

 

Mierle Laderman Ukeles

Touch Sanitation Performance, 1979-1980, May 14, 1980, Sweep 10, Manhattan 11

 from a set of 30 archival pigment prints

 16 x 24 inches each

 Photo: Deborah Freedman

 

 

 ![21]() 

 ![](/src/images/arrow-right.svg) 

  <a href="">1</a>   <a href="">2</a>   <a href="">3</a>   <a href="">4</a>   <a href="">5</a>   <a href="">6</a>   <a href="">7</a>   <a href="">8</a>   <a href="">9</a>   <a href="">10</a>   <a href="">11</a>   <a href="">12</a>   <a href="">13</a>   <a href="">14</a>   <a href="">15</a>   <a href="">16</a>   <a href="">17</a>   <a href="">18</a>   <a href="">19</a>   <a href="">20</a>   <a href="">21</a>   <a href="">22</a>   <a href="">23</a>   <a href="">24</a>   <a href="">25</a>   <a href="">26</a>   <a href="">27</a>   <a href="">28</a>   <a href="">29</a>

 

 ![](/src/images/arrow-right.svg) 

 

Mierle Laderman Ukeles

Touch Sanitation Performance, 1979-1980, May 15, 1980, Sweep 10, Queens 14

 from a set of 30 archival pigment prints

 16 x 24 inches each

 Photo: Vincent Russo

 

 

 ![13]() 

 ![](/src/images/arrow-right.svg) 

  <a href="">1</a>   <a href="">2</a>   <a href="">3</a>   <a href="">4</a>   <a href="">5</a>   <a href="">6</a>   <a href="">7</a>   <a href="">8</a>   <a href="">9</a>   <a href="">10</a>   <a href="">11</a>   <a href="">12</a>   <a href="">13</a>   <a href="">14</a>   <a href="">15</a>   <a href="">16</a>   <a href="">17</a>   <a href="">18</a>   <a href="">19</a>   <a href="">20</a>   <a href="">21</a>   <a href="">22</a>   <a href="">23</a>   <a href="">24</a>   <a href="">25</a>   <a href="">26</a>   <a href="">27</a>   <a href="">28</a>   <a href="">29</a>

 

 ![](/src/images/arrow-right.svg) 

 

Yishay Garbasz

Sawahre near Jerusalem, 2004

from The Fence

 c-print

 31 1/2 x 39 3/8 inches

 

 

 ![22]() 

 ![](/src/images/arrow-right.svg) 

  <a href="">1</a>   <a href="">2</a>   <a href="">3</a>   <a href="">4</a>   <a href="">5</a>   <a href="">6</a>   <a href="">7</a>   <a href="">8</a>   <a href="">9</a>   <a href="">10</a>   <a href="">11</a>   <a href="">12</a>   <a href="">13</a>   <a href="">14</a>   <a href="">15</a>   <a href="">16</a>   <a href="">17</a>   <a href="">18</a>   <a href="">19</a>   <a href="">20</a>   <a href="">21</a>   <a href="">22</a>   <a href="">23</a>   <a href="">24</a>   <a href="">25</a>   <a href="">26</a>   <a href="">27</a>   <a href="">28</a>   <a href="">29</a>

 

 ![](/src/images/arrow-right.svg) 

 

Allan Wexler

Eye Level on a Hill, 2015

unique

 hand-worked inkjet print mounted on panel, matte medium, pencil, wax

 32 x 40 inches

 

 

 ![2]() 

 ![](/src/images/arrow-right.svg) 

  <a href="">1</a>   <a href="">2</a>   <a href="">3</a>   <a href="">4</a>   <a href="">5</a>   <a href="">6</a>   <a href="">7</a>   <a href="">8</a>   <a href="">9</a>   <a href="">10</a>   <a href="">11</a>   <a href="">12</a>   <a href="">13</a>   <a href="">14</a>   <a href="">15</a>   <a href="">16</a>   <a href="">17</a>   <a href="">18</a>   <a href="">19</a>   <a href="">20</a>   <a href="">21</a>   <a href="">22</a>   <a href="">23</a>   <a href="">24</a>   <a href="">25</a>   <a href="">26</a>   <a href="">27</a>   <a href="">28</a>   <a href="">29</a>

 

 ![](/src/images/arrow-right.svg) 

 

Eleanor Antin

The Gamblers, 2004

from Roman Allegories

 chromogenic print

 48 1/2 x 61 1/8 inches

 

 

 ![12]() 

 ![](/src/images/arrow-right.svg) 

  <a href="">1</a>   <a href="">2</a>   <a href="">3</a>   <a href="">4</a>   <a href="">5</a>   <a href="">6</a>   <a href="">7</a>   <a href="">8</a>   <a href="">9</a>   <a href="">10</a>   <a href="">11</a>   <a href="">12</a>   <a href="">13</a>   <a href="">14</a>   <a href="">15</a>   <a href="">16</a>   <a href="">17</a>   <a href="">18</a>   <a href="">19</a>   <a href="">20</a>   <a href="">21</a>   <a href="">22</a>   <a href="">23</a>   <a href="">24</a>   <a href="">25</a>   <a href="">26</a>   <a href="">27</a>   <a href="">28</a>   <a href="">29</a>

 

 ![](/src/images/arrow-right.svg) 

 

Yishay Garbasz

Clean Up Work at a Cemetery within the 3 km zone, Fukushima Exclusion Zone, 2013

from Ritual &amp; Reality

 c-print

 31 1/2 x 40 inches

 

 

 ![4]() 

 ![](/src/images/arrow-right.svg) 

  <a href="">1</a>   <a href="">2</a>   <a href="">3</a>   <a href="">4</a>   <a href="">5</a>   <a href="">6</a>   <a href="">7</a>   <a href="">8</a>   <a href="">9</a>   <a href="">10</a>   <a href="">11</a>   <a href="">12</a>   <a href="">13</a>   <a href="">14</a>   <a href="">15</a>   <a href="">16</a>   <a href="">17</a>   <a href="">18</a>   <a href="">19</a>   <a href="">20</a>   <a href="">21</a>   <a href="">22</a>   <a href="">23</a>   <a href="">24</a>   <a href="">25</a>   <a href="">26</a>   <a href="">27</a>   <a href="">28</a>   <a href="">29</a>

 

 ![](/src/images/arrow-right.svg) 

 

Eleanor Antin

The Tourists, 2007

from Helen’s Odyssey

 chromogenic print

 60 x 76 7/8 inches

 

 

 ![3]() 

 ![](/src/images/arrow-right.svg) 

  <a href="">1</a>   <a href="">2</a>   <a href="">3</a>   <a href="">4</a>   <a href="">5</a>   <a href="">6</a>   <a href="">7</a>   <a href="">8</a>   <a href="">9</a>   <a href="">10</a>   <a href="">11</a>   <a href="">12</a>   <a href="">13</a>   <a href="">14</a>   <a href="">15</a>   <a href="">16</a>   <a href="">17</a>   <a href="">18</a>   <a href="">19</a>   <a href="">20</a>   <a href="">21</a>   <a href="">22</a>   <a href="">23</a>   <a href="">24</a>   <a href="">25</a>   <a href="">26</a>   <a href="">27</a>   <a href="">28</a>   <a href="">29</a>

 

 ![](/src/images/arrow-right.svg) 

 

Eleanor Antin

The Sad Song of Columbine, 2004

from Roman Allegories

 chromogenic print

 48 1/2 x 61 1/8 inches

 

 

 

 

 

  

### Artists

   
 [Eleanor Antin](https://feldmangallery.com/artist-home/eleanor-antin)  
 [Nancy Chunn](https://feldmangallery.com/artist-home/nancy-chun)  
 [Yishay Garbasz](https://feldmangallery.com/artist-home/yishay-garbasz)  
 [Allan Wexler](https://feldmangallery.com/artist-home/allan-wexler)  
 

  

 

  

 

 [](/assets/exhibition_images/You-Are-Now-Entering...Popup-Image_200508_220253.jpg)  

 

Ronald Feldman Gallery has been at the frontier of contemporary art since 1971. The gallery is located in the SoHo neighborhood of New York City and exhibits performance, photography, new media, film, painting, drawing and sculpture.

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phone [212-226-3232](tel:212-226-3232)

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