Artists
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Prescient: A Five-by-Five Virtual Exhibition
Group Show
May 08 – Jun 19, 2020
“Prescient: A Five-by-Five (5x5) Virtual Exhibition,” features Eleanor Antin, Nancy Chunn, Yishay Garbasz, Mierle Laderman Ukeles, and Allan Wexler. The selected works, which were created prior to the COVID-19 crisis, speak to vital issues we face today, such as fear, isolation, anxiety, border containment, and reliance on essential workers. Although the works were created years ago, their commentary may be more significant now than when they were originally made. We don’t know what lies ahead, but we firmly believe that artists will continue to constructively point the way forward.
This exhibition is the first in a new online series entitled “Five-by-Five (5x5) Virtual Exhibitions” from the Ronald Feldman Gallery. Using the format of five works by five artists, each exhibition will feature twenty-five works selected through the lens of current pressing social, economic, and environmental concerns. We appreciate your comments via the social media links below.
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Eleanor Antin
The Conversation, 2001
From The Last Days of Pompeii
chromogenic print
46 5/8 x 58 5/8 x 1 3/4 inches
Nancy Chunn
Bat, 1982
from the Predator Series
oil on canvas
120 x 54 inches
Nancy Chunn
Chicken Little and the Culture of Fear: Selected Index (Black), 2016
giclee print on canvas with acrylic paint unique
30 x 30 inches
Nancy Chunn
Spring Cleaning (Spring 1999), 2000
from News Stories
acrylic on canvas
78 x 102 inches
Nancy Chunn
Chicken Little and the Culture of Fear: Scene VII: The ER, 2007-2008
acrylic on 63 canvases
139 x 148 inches overall
Nancy Chunn
Chicken Little and the Culture of Fear: Scene VII: The ER, 2007-2008
detail
acrylic on 63 canvases
139 x 148 inches overall
Allan Wexler
Voicings (Voice Masks), 2017
five dust masks and epoxy resin
10 x 6 x 4 inches each
Mierle Laderman Ukeles
Dressing to Go Out/Undressing to Come In, 1973 (printed in 2016)
95 black-and-white photographs mounted on foam core with dust rag attached by chain to frame
55 x 42 1/4 inches framed size
Mierle Laderman Ukeles
Dressing to Go Out/Undressing to Come In, 1973 (printed in 2016)
detail
95 black-and-white photographs mounted on foam core with dust rag attached by chain to frame
55 x 42 1/4 inches framed size
Nancy Chunn
Huff & Puff (Fall 1999), 2001
from News Stories
acrylic on canvas
78 x 102 inches
Mierle Laderman Ukeles
Washing, 1974 (printed in 1998)
In front of A.I.R. Gallery, Wooster Street, Soho, New York City
black-and-white photographs
15 black-and-white photographs: 16 x 20 inches each, 2 black-and-white photographs: 20 x 16 inches each
Mierle Laderman Ukeles
Washing, 1974 (printed in 1998)
detail
black-and-white photographs
15 black-and-white photographs: 16 x 20 inches each, 2 black-and-white photographs: 20 x 16 inches each
Allan Wexler
Rift, 2015
unique
inkjet print mounted on panel, matte medium, pencil, wax
32 x 40 inches
Allan Wexler
Sheathing the Rift, 2014
unique
inkjet print mounted on panel, matte medium, pencil, wax
32 x 40 inches
Allan Wexler
Table for the Typical House, 2010
table, four chairs, mustard, ketchup, salt and pepper shakers
96 x 132 x 132 inches
Yishay Garbasz
Kirks Crescent, Protestant Neighborhood, Belfast, 2014
from Severed Connections
c-print
31 5/8 x 39 1/2 inches
Yishay Garbasz
Convenience Store on Route 6 after cleanup
from Ritual & Reality
c-print
31 1/2 x 40 inches
Eleanor Antin
100 Boots Out of a Job, 1971-1973/ 2006
from a set of 51 digital black-and-white photographs
8 x 10 inches
Yishay Garbasz
Women Working for Minimum Wage Cutting Weeds at the side of the road near Junghwadong, 2014
from Severed Connections
c-print
31 5/8 x 39 1/2 inches
Mierle Laderman Ukeles
Touch Sanitation Performance, 1979-1980, August 8, 1979, Sweep 2, Bronx 21
from a set of 30 archival pigment prints
16 x 24 inches each
Photo: Marcia Bricker
Mierle Laderman Ukeles
Touch Sanitation Performance, 1979-1980, May 14, 1980, Sweep 10, Manhattan 11
from a set of 30 archival pigment prints
16 x 24 inches each
Photo: Deborah Freedman
Mierle Laderman Ukeles
Touch Sanitation Performance, 1979-1980, May 15, 1980, Sweep 10, Queens 14
from a set of 30 archival pigment prints
16 x 24 inches each
Photo: Vincent Russo
Yishay Garbasz
Sawahre near Jerusalem, 2004
from The Fence
c-print
31 1/2 x 39 3/8 inches
Allan Wexler
Eye Level on a Hill, 2015
unique
hand-worked inkjet print mounted on panel, matte medium, pencil, wax
32 x 40 inches
Eleanor Antin
The Gamblers, 2004
from Roman Allegories
chromogenic print
48 1/2 x 61 1/8 inches
Yishay Garbasz
Clean Up Work at a Cemetery within the 3 km zone, Fukushima Exclusion Zone, 2013
from Ritual & Reality
c-print
31 1/2 x 40 inches
Eleanor Antin
The Tourists, 2007
from Helen’s Odyssey
chromogenic print
60 x 76 7/8 inches
Eleanor Antin
The Sad Song of Columbine, 2004
from Roman Allegories
chromogenic print
48 1/2 x 61 1/8 inches
.
Eleanor Antin
The Conversation, 2001
From The Last Days of Pompeii
chromogenic print
46 5/8 x 58 5/8 x 1 3/4 inches
Nancy Chunn
Bat, 1982
from the Predator Series
oil on canvas
120 x 54 inches
Nancy Chunn
Chicken Little and the Culture of Fear: Selected Index (Black), 2016
giclee print on canvas with acrylic paint unique
30 x 30 inches
Nancy Chunn
Spring Cleaning (Spring 1999), 2000
from News Stories
acrylic on canvas
78 x 102 inches
Nancy Chunn
Chicken Little and the Culture of Fear: Scene VII: The ER, 2007-2008
acrylic on 63 canvases
139 x 148 inches overall
Nancy Chunn
Chicken Little and the Culture of Fear: Scene VII: The ER, 2007-2008
detail
acrylic on 63 canvases
139 x 148 inches overall
Allan Wexler
Voicings (Voice Masks), 2017
five dust masks and epoxy resin
10 x 6 x 4 inches each
Mierle Laderman Ukeles
Dressing to Go Out/Undressing to Come In, 1973 (printed in 2016)
95 black-and-white photographs mounted on foam core with dust rag attached by chain to frame
55 x 42 1/4 inches framed size
Mierle Laderman Ukeles
Dressing to Go Out/Undressing to Come In, 1973 (printed in 2016)
detail
95 black-and-white photographs mounted on foam core with dust rag attached by chain to frame
55 x 42 1/4 inches framed size
Nancy Chunn
Huff & Puff (Fall 1999), 2001
from News Stories
acrylic on canvas
78 x 102 inches
Mierle Laderman Ukeles
Washing, 1974 (printed in 1998)
In front of A.I.R. Gallery, Wooster Street, Soho, New York City
black-and-white photographs
15 black-and-white photographs: 16 x 20 inches each, 2 black-and-white photographs: 20 x 16 inches each
Mierle Laderman Ukeles
Washing, 1974 (printed in 1998)
detail
black-and-white photographs
15 black-and-white photographs: 16 x 20 inches each, 2 black-and-white photographs: 20 x 16 inches each
Allan Wexler
Rift, 2015
unique
inkjet print mounted on panel, matte medium, pencil, wax
32 x 40 inches
Allan Wexler
Sheathing the Rift, 2014
unique
inkjet print mounted on panel, matte medium, pencil, wax
32 x 40 inches
Allan Wexler
Table for the Typical House, 2010
table, four chairs, mustard, ketchup, salt and pepper shakers
96 x 132 x 132 inches
Yishay Garbasz
Kirks Crescent, Protestant Neighborhood, Belfast, 2014
from Severed Connections
c-print
31 5/8 x 39 1/2 inches
Yishay Garbasz
Convenience Store on Route 6 after cleanup
from Ritual & Reality
c-print
31 1/2 x 40 inches
Eleanor Antin
100 Boots Out of a Job, 1971-1973/ 2006
from a set of 51 digital black-and-white photographs
8 x 10 inches
Yishay Garbasz
Women Working for Minimum Wage Cutting Weeds at the side of the road near Junghwadong, 2014
from Severed Connections
c-print
31 5/8 x 39 1/2 inches
Mierle Laderman Ukeles
Touch Sanitation Performance, 1979-1980, August 8, 1979, Sweep 2, Bronx 21
from a set of 30 archival pigment prints
16 x 24 inches each
Photo: Marcia Bricker
Mierle Laderman Ukeles
Touch Sanitation Performance, 1979-1980, May 14, 1980, Sweep 10, Manhattan 11
from a set of 30 archival pigment prints
16 x 24 inches each
Photo: Deborah Freedman
Mierle Laderman Ukeles
Touch Sanitation Performance, 1979-1980, May 15, 1980, Sweep 10, Queens 14
from a set of 30 archival pigment prints
16 x 24 inches each
Photo: Vincent Russo
Yishay Garbasz
Sawahre near Jerusalem, 2004
from The Fence
c-print
31 1/2 x 39 3/8 inches
Allan Wexler
Eye Level on a Hill, 2015
unique
hand-worked inkjet print mounted on panel, matte medium, pencil, wax
32 x 40 inches
Eleanor Antin
The Gamblers, 2004
from Roman Allegories
chromogenic print
48 1/2 x 61 1/8 inches
Yishay Garbasz
Clean Up Work at a Cemetery within the 3 km zone, Fukushima Exclusion Zone, 2013
from Ritual & Reality
c-print
31 1/2 x 40 inches
Eleanor Antin
The Tourists, 2007
from Helen’s Odyssey
chromogenic print
60 x 76 7/8 inches
Eleanor Antin
The Sad Song of Columbine, 2004
from Roman Allegories
chromogenic print
48 1/2 x 61 1/8 inches
