Mierle Laderman Ukeles “My Working Will be the Work:” Maintenance Art and Technologies of Change
The New Inquiry Dec 13, 2017
In 1973, Mierle Laderman Ukeles staged a series of art performances at the Wadsworth Atheneum in Connecticut. In Transfer: The Maintenance of the Art Object, she took over the duties of the museum’s janitor and used his tools to clean a glass case containing a mummy. When she was finished, she stamped her cleaning tools and the mummy case with a rubber stamp, branding them “Maintenance Art Works.” She then transferred the cleaning duties to the museum’s curator, who alone was allowed to handle and conserve artworks. In another performance, Keeper of the Keys, Ukeles took the janitor’s keys and locked and unlocked various offices and rooms in the museum. Once Ukeles had locked an office, it became a Maintenance Artwork and no one was permitted to enter or use the room. Keeper of the Keys created an uproar, as it drastically impacted the work lives of the museum’s staff who pleaded to have certain floors exempted from the project so they could work undisturbed. Ukeles’ performances, examples of conceptual art called “Institutional Critique,” surfaced the hidden labor of maintenance in the museum setting, and the subsequent visibility of this labor proved to be incredibly disruptive to the institution of the museum.
Related News & Press
Dec 06, 2016
Mierle Laderman Ukeles: Best of Art 2016
Sep 14, 2016
The New York Times
Mierle Laderman Ukeles
An Artist Redefines Power. With Sanitation Equipment.
Ronald Feldman Gallery has been at the frontier of contemporary art since 1971. The gallery is located in the SoHo neighborhood of New York City and exhibits performance, photography, new media, film, painting, drawing and sculpture.
Sign up to receive email updates
31 Mercer Street
New York, NY 10013
Hours:
Monday - Friday:
10:00am - 6:00pm
By appointment only
Copyright © 2022 Ronald Feldman Gallery