Artist Index

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A

Conrad Atkinson

Eleanor Antin

B

Alexander Brodsky

Brandon Ballengée

Brodsky & Utkin

Joseph Beuys

C

Cassils

Keith Cottingham

Nancy Chunn

D

Eric Dyer

Milena Dopitová

F

Carl Fudge

Terry Fox

G

Yishay Garbasz

H

Cameron Hayes

Christine Hill

Helen Mayer & Newton Harrison

Kelly Heaton

Margaret Harrison

Shih Chieh Huang

J

Simone Jones

K

Brian Knep

Komar & Melamid

Peggy Jarrell Kaplan

Vitaly Komar

L

Kim Levin

M

McCarren/Fine

O

Pepón Osorio

The Oakes Twins

P

Bruce Pearson

Panamarenko

R

Fredric Riskin

Richard Ross

S

Diemut Strebe

Edwin Schlossberg

Federico Solmi

Jason Salavon

Todd Siler

U

Mierle Laderman Ukeles

V

Sam Van Aken

W

Allan Wexler

Andy Warhol

Clemens Weiss

Hannah Wilke

Y

Gil Yefman

Hannah Wilke ERASE-HER: DECONSTRUCTING CENSORSHIP, AN INTERVIEW WITH CAROLINE WAYNE

Cultbytes Sep 08, 2018

Hannah Wilke

Ceramic Sculpture

On a Friday evening in March, a crowd had gathered at the all-female artist-run not-for-profit gallery A.I.R. in Brooklyn to celebrate the opening of the multi-media artist Caroline Wayne’s solo-show “Pretty Real.” A hush fell over the crowd as the Canadian artist Alli Melanson read a bristling passage concerning the feminist artist Hannah Wilke, from the American author and artist Chris Kraus’ cult novel “I Love Dick” (Semiotext(e), 1997).